Σάββατο 1 Αυγούστου 2009

Sounds like 60s or 70s...but it's 2009



I never know how to treat you
You think I love you but it ain΄t true
I΄m walking away now
One step forward and back two

I like to grab you by the hair
and hang you up from the heavens

I don΄t know how to let you go
Or if i should keep you
I don΄t know how to let you know
I really do have a reason

I like to grab you by the hair
and drag you to the devil

(Drums)

I never know how to push you
Just to... Just to confuse you
I make my hope Just to see how
Just to see how
to push you

I like to grab you by the hair
and hang you up from the heavens

(Drums)

I ΄d like to grab you by the hair
and send you up to the devil

I never know what mood you be
You may be kind or cruel to me
I΄m walking away now
one step forward and back three

(Drums)

I never know what I΄m gonna to do
I say I΄m leaving but It ain΄t true
I got a lot to do to you
There ain΄t nothing you can do...to stop it

I want to hang you by the hair
I want to hang you by the hair
I want to hang you by the hair

and hang you up from the heavens

Let's do something real

And I believe in gentle harmony

I can't get this tune out of my head!! Ειναι οριστικό Boston rulez!!! Χαρούμενοι electro heads ολου του κόσμου unite!


we dug these holes we crawled into now they're my home
now here i cannot feel the wind, cant feel the rain oh no
and i believe in gentle harmony
well how i loathe all this obscenity
is this the way my life has got to be?
have i a single opportunity?

look at me oh look at me is this the way i'll always be
oh no, oh no
now i pray that somebody will quickly come and kidnap me
oh no, oh no
everyday i lie awake and pray to god today's the day
oh no, oh no
here i am oh here i am oh when will someone understand?
oh no, oh no

and all at once i feel this, oh how it clings to me
it reels and calls me towards it, confounding destiny
and i can feel the madness inch by inch
the more i run the more i am convinced
a color all these like the branches glimpse
just like the saddle in the foggy mist

look at me oh look at me is this the way i'll always be
oh no, oh no
now i pray that somebody will quickly come and kidnap me
oh no, oh no
and everyday i lie awake and pray to god today's the day
oh no, oh no
here i am oh here i am oh when will someone understand?
oh no, oh no

look at me oh look at me is this the way i'll always be
oh no, oh no
now i pray that somebody will quickly come and kidnap me
oh no, oh no
and everyday i lie awake and pray to god today's the day
oh no, oh no
here i am oh here i am oh when will someone understand?
oh no, oh no

The next best thing, very hot, very now...


And everything is going to the beat
And everything is going to the beat
And everything is going

And you said
It was like fire around the brim
Burning solid
Burning thin the burning rim
Like stars burning holes right through the dark
Flicking fire like saltwater into my eyes
You were one inch from the edge of this bed
I drag you back a sleepyhead, sleepyhead

They couldn't think of something to say the day you burst
With all their lions and all their might and all their thirst
They crowd your bedroom like some thoughts wearing thin
Against the walls against your rules against your skin
My beard grew down to the floor and out through the doors
Of your eyes but go in disguise like a sleepyhead, sleepyhead

Go ahead

Defense Mechanisms by Sigmund Freud

Από το σχολείο ακόμα με το μάθημα της ψυχολογίας που όλοι το γιούχαραν μου έκαναν εντύπωση οι αμυντικοί μηχανισμοί και πως ο Freud του παρουσιάζει (το άλλο που με είχε εντυπωσιάσει ήταν το ότι έδινε κόκα στις κυρίες που είχαν νευρικό κλωνισμό!!)

Defense mechanisms are psychoanalytic or Freudian constructs. They were created to help explain individual responses to anxiety. They have been borrowed from their original context to help explain individual coping styles. Defense mechanisms are unconscious, meaning that we are not consciously aware of their operation. They are also individualized, meaning that different people use different sets of them. Finally, they are normal, meaning that everybody uses them. However, defense mechanisms do become of clinical interest when they are exaggerated. This last topic will be examined later.

Defense mechanisms, in their original context, are unconscious methods of dealing with anxiety. More generally, they can be seen as dealing with stress, or a cause of anxiety. Below is a list of some common defense mechanisms with a short description of each.

Compensation

A perceived deficit is compensated for by skill or success in another area. For example, a perceived lack of height is compensated for skill in business, the arts, or other areas.

Denial

A reality that causes anxiety is simply not perceived. For example, a mother may unconsciously refuse to see her son's true character because it is too anxiety-arousing. The use of denial may lead to abrupt intrusion of reality into one's life. The mother above, for example, may receive the news that her son has been arrested for armed robbery.

Displacement

Displacement is the redirection of energy from a dangerous or forbidden object to a more socially acceptable one. For example, attraction to a married person may be displaced to some other activity. A classic instance is playing a musical instrument instead.

Fantasy

Fantasy is the conjuring of an imagined scenario to replace a real one. Imagining one's sexual partner as being someone else is a fairly common example.

Intellectualization

Intellectualization is treating an emotionally charged situation in a muted or non emotional fashion. For example, someone who accepts the news of a marital breakup passively and with stoicism may be using intellectualization.

Projection

Projection is blaming others or other things for one's problems or failures. For example, someone might say, "The devil made me do it", or blame others for being the cause of a problem.

Rationalization

Rationalization is realizing that one's motives are not always pure or publicly acceptable and substituting appropriate motives. For example, failing to study because one was "exhausted" rather than "lazy" is an example. Being lazy is not seen as a socially acceptable motivation.

Reaction formation

Reaction formation is showing the exact opposite of one's true motivation or intentions. (Unconsciously, remember.) So, saying "I hate you." may indicate love instead. Or, believing that you love to teach may be necessary after you have spent years preparing and then found out that the only job you could obtain was in a horrible school with violent students. The choice is to admit your wasted time and energy preparing for such a job, or to believe that you enjoy it.

Repression

Repression is central to psychoanalysis. It requires that highly anxiety-arousing items be stored deep in the unconscious, where they will not affect conscious activities. Repressed items, however, may manifest themselves in dreams or in slips of the tongue. A repressed item is not usually available for recall. Instead, it may appear later, unexpectedly. For example, I once attempted to recall all of the Fourth of July days I had spent over a ten-year period, but one was unaccessible to me. A few weeks later, while in the shower, it hit me. I had been involved in a major family dispute that particular day, and had apparently repressed it.

Regression

Regression occurs when the coping behaviors of an earlier developmental stage reappear. For example, crying or throwing a tantrum may be used to cope with a stressful event. Typically, we view such behaviors as inappropriate for adults, and further, as holdovers from an earlier time (childhood) when such behaviors were more acceptable.

Sublimation

Sublimation is when motives are either sexual or violent, reflecting the psychoanalytic instincts of libido and thanatos (both will be discussed later), and are redirected into non-instinctual paths. For example, aggressive motivations may be redirected into the more acceptable framework of games.

από εδώ: http://peace.saumag.edu/faculty/Kardas/Courses/GPWeiten/C12Personality/DefMech.html

Yeah yeah I'll get it back

I'm workin' a sweat
But it's all good
I'm breakin' my back
But it's all good
'cause I know I'll get it back

Everything is possible With promises